The succeed repertory guidelines are intended to be flexible and to encourage diverseness of individual interests, but they besides provide a smell of expected telescope. Offering repertoire from all the categories listed below is not mandate at your audition, but you should surely choose a broadcast that contains stylistic diverseness and that represents your own strengths. Works customarily performed from memory in populace recitals should be performed from memory at your audition. early in the application summons likely students should contact the major teacher in their area and discuss hearing repertory possibilities .
Percussion Audition Requirements
major contemporary marimba work,
Solo violin work ( 1 motion ) from J.S. Bach Sonatas and Partitas ,
Vibraphone solo of any style .
Perform six orchestra excerpts ( xylophone and glockenspiel ) .
solo or etude from the advance classical repertoire ,
solo or etude from the advanced rudimental repertoire ,
Three orchestra excerpts
perform at least 4 varying styles
World Percussion (optional):
Possibilities include steel drums, African cram, taiko, etc ? )
Video record of death solo percussion recital that includes multiple percussion section and chamber music ( if possible )
Piano Audition Requirements
- A major Baroque work, such as a group of Scarlatti sonatas, a suite by Bach, or one or more preludes and fugues from the Well-Tempered Clavier
- A complete sonata, variation set, or similar work by Beethoven or another Classical composer
- A major Romantic or Impressionist work
- Another work of your choice, preferably a major composition (or several shorter pieces) representative of twentieth-century style
Collaborative Piano Audition Requirements
- Three letters of recommendation. It is recommended that these letters describe solo and collaborative performance a well as sight interpretation and music learn abilities .
- detail sum up that lists both solo and collaborative repertory studied and performed .
- hearing requirements : 60 minutes of music, including a major implemental sonata, art songs, and an opera aria, a well as one alone memorized major work .
- The hearing, including collaborative works, may be submitted as a DVD, video links, or cadmium of performances within the past year. Video links through YouTube or other file-sharing site are recommended .
- To apply, students must complete 2 applications : one for the University and one for the School of Music .
For more audition data and repertoire advice or ot her questions, please contact Dr. Lucy Mauro (Lucy.Mauro@mail.wvu.edu ) .
Voice Audition Requirements
Have a prepared list of your previous vocal teachers and vocal coaches and a precise
statement of your present language background; foreign language study, diction,
Have a train list of your former vocal teachers and vocal coaches and a precise affirmation of your stage lyric background ; foreign linguistic process study, wording, phonetics, etc .
An aria from an cantata ; Handel, Haydn, Mendelssohn
One excerpt of your own choice ; preferably a major operatic aria
At least two selections from each of the four terminology
17th & 18th hundred
An aria by Mozart
19th & twentieth century opera
An aria by Bach
Lieder ; Mozart, Schubert, Schumann, Brahms, Wolf, Mahler, Strauss
Art Songs ; Debussy, Ravel, Faure, Poulenc
early on Songs ; Purcell, Arne
contemporary American and british songs ; such as Britten, Menotti, Floyd
Strings Audition Requirements
Audition repertoire for the DMA in Music Performance should be chosen
to demonstrate the applicant’s current level of achievement. Early in the application
process potential students should contact the major teacher in the area to discuss
audition repertoire possibilities. Suggested repertoire could include a concerto,
sonata, show piece, solo Bach, and for the double bass three major orchestral excerpts.
Audition repertoire for the DMA in Music Performance should be chosen to demonstrate the applicant ’ sulfur current level of accomplishment. early in the application process electric potential students should contact the major teacher in the sphere to discuss audition repertoire possibilities. Suggested repertoire could include a concerto, sonata, show piece, solo Bach, and for the double bass three major orchestral excerpts .
Woodwinds and Brass Audition Requirements
Audition repertoire for the DMA in Music Performance should be chosen
that allows the candidate to demonstrate their current level of achievement. Early
in the application process, potential students should contact the major teacher
in their area and discuss audition repertoire possibilities.
Audition repertoire for the DMA in Music Performance should be chosen that allows the candidate to demonstrate their stream charge of accomplishment. early in the application work, likely students should contact the major teacher in their sphere and discuss audition repertory possibilities .
Conducting Audition Requirements
An on-campus audition with the WVU Wind Symphony, University Choir, or
Symphony Orchestra is preferred, although video recorded auditions are allowed
when great distance precludes a visit to campus. The student is encouraged to audition
in his/her strongest performance area: wind band, choir, or orchestra. Further
audition requirements are as follows:
An on-campus audition with the WVU Wind Symphony, University Choir, or Symphony Orchestra is preferred, although video recorded auditions are allowed when great distance precludes a visit to campus. The student is encouraged to audition in his/her potent performance area : wind band, choir, or orchestra. Further audition requirements are as follows :
The applicant will perform a conduct hearing with an appropriate WVU ensemble which will consist of 20-30 minutes of rehearsal of repertory that will be assigned at least two weeks in improvement by the appropriate lead faculty .
The applicant will perform an audition on his/her major musical instrument or voice before appropriate music faculty. Those who have been away from solo performance for a period of several years may offer attest of past proficiency ( e.g. recital programs, letters, reviews, video or audio record of a performance, etc. )
Knowledge of literature and techniques appropriate to the applicant ’ randomness desired area of emphasis will be assessed by appropriate faculty .
Applicants desiring a chorale stress will besides be asked to demonstrate cognition of appropriate vocal teaching within the chorale rehearsal, vitamin a well as appropriate piano skills .
Composition Audition Requirements
Applicants for capture to the DMA in Composition should send a portfolio of compositions that include a major work ( master ’ mho dissertation or equivalent ) and two or three other works in versatile genres. Scores may be submitted as Finale or Sibelius files or as pdf ’ s. Recordings and/or MIDI realizations of application compositions are strongly encouraged but not compulsory. electronic submission of both score and audio files is highly recommended. Files may be sent as attachments to an electronic mail to, Matthew.Heap @ mail.wvu.edu and Kyle.Simpson @ mail.wvu.edu or via a file sharing service such as dropbox or Google drive, etc .
NOTE: Doctoral teaching in composing is broadly in contemporaneous art music styles but besides includes work in versatile electronic mediums ( fixed playback pieces, instrument ( randomness ) and electronics, interactional electronics, etc. ) with studies available in jazz, global music, and other vernacular musical styles. At least one submitted work must be in the style of art ( concert ) music for traditional acoustic instruments .
Questions about the application action should be addressed the Director of Graduate Studies. Questions about the portfolio of compositions may be directed to Dr. Heap or Dr. Simpson .
For farther degree requirements, please visit the WVU Catalog.
The exact amount and nature of course work undertaken will be determined by the
student’s advisor with the approval of the doctoral committee in light of previous
preparation and field of specialization. For further degree requirements, please visit the The exact amount and nature of naturally work undertake will be determined by the student ’ s adviser with the approval of the doctoral committee in light of previous cooking and field of specialization. For further degree requirements, please visit the WVU Catalog
Upon completion of the requirements of the School of Music and the general WVU alumnus studies requirements, the scholar will be recommended for admission to campaigning for the academic degree. These requirements are ( in order of occurrence ) :
1. Pass written qualifying examinations
a. Broad cognition in music hypothesis and musicology and literature.
b. In-depth cognition of the literature of the field of specialization or of the craft of typography.
2. satisfactorily pass a comprehensive oral qualifying examination
The stipulate examinations shall be considered one built-in examination consisting of written and oral parts. If the first try is abortive, the scholar is allowed to try the entire interrogation a second clock time. The second base try will be considered final examination. The applicant ’ s committee may elect to discourage a second try if the first does not indicate probable success upon repetition. graduate students who have met these requirements and who have maintained a minimum average of B ( 3.0 ) in courses completed shall be admitted to campaigning .
Completion of the requirements for this degree normally requires at least three years of full-time graduate work. A minimum of two straight semesters must be spent in full-time graduate study at WVU beyond the passkey ’ s degree or its equivalent. Exceptions to this prerequisite may be presented to the Graduate Committee .
Performance Requirements for Performance Degrees
performance requirements ( for operation majors ) include private lessons, passkey classes in enforce repertory, and public performance of at least two solo recitals and early types of presentations appropriate for the preparation of an artist-teacher, such as chamber music programs, concerto performances, major roles in opera or cantata, or major accompaniments. Credit for each public performance is established in advance, during the beginning semester of cogitation, along with the establishment of the scholar ’ s DMA committee. A performance Prospectus argue projected performance repertory is prepared by the scholar in consultation with his/her committee and the major corps de ballet directors, as allow .
academic requirements include courses in music hypothesis, musicology, and music literature .
Composition Requirements for DMA in Composition
constitution requirements ( for composition majors ) include individual lessons and the creation of a writing portfolio. The scholar will be encouraged by the major professor to compose works in a timely manner in a wide diverseness of genres from which can be drawn a choose numeral of pieces for the portfolio. The comprehensive examen determines the admission to campaigning and is normally taken after the successful completion of compulsory course study in music theory and musicology. work on the major project and inquiry text file normally will commence merely after entree to campaigning. The candidate will submit to his/her Doctoral Committee for approval a prospectus for the portfolio to include the project major work, the proposed research document, and other compositions with proposed credit weighting for each .
Research Requirements for all degrees
Research requirements are intended to develop theoretical and historical fact-finding techniques sufficient to enable the performer to form valid personalize interpretations and to assist the composer in developing an original expressive style. These requirements consist of the path Music Research and Bibliography ( MUSC 771 ), for composers a doctoral seminar, and for all students a research project culminating in an extend written study related to the scholar ’ s sphere, although not necessarily constituting original inquiry. This project will be supervised by a unconstipated graduate staff penis who is a member of the scholar ’ s doctoral committee in consultation with the entire doctoral committee. An oral examination of this research will be administered by the DMA Committee.
For performers, the concluding examination will consist of a major solo recital ( which will be regarded as the equivalent of the Ph.D. dissertation defensive structure ). immediately following the populace performance the campaigner ’ randomness committee will meet to evaluate the performance as evidence of mature musicianship and finished proficiency. The final recital will not occur in the like semester as the qualifying examination.
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For composers, when all compositions and the major project have been approved and all other requirements have been fulfilled, the candidate ’ s doctoral committee will administer the final examination oral examen. At the option of the committee, a written interrogation may besides be required. The final examination ( south ) shall be concerned with the compositions, the major project, and the candidate ’ s appreciation of the field of specialization and its relation to other fields. The concluding interrogation will not be given in the lapp semester as the qualifying examination .
Following entrance fee to campaigning, doctoral students are allowed five years to complete all remaining degree requirements. Extensions may be requested according to the guidelines posted in the WVU Graduate catalogue.