Mad scientist – Wikipedia

Stock character in fiction
“ huffy genius ” redirects here. For the related subject, see Creativity and genial health “ delirious skill ” redirects here. For the company, see harebrained Science One popular stereotype of a brainsick scientist : white male, aging, asymmetrical tooth, messy hair, lab coat, sparkling test tube, goggles, gloves, and striking a dramatic model while cackling wickedly

Mad scientist ( besides mad doctor or mad professor ) is a stock character of a scientist who is described as “ huffy ” or “ harebrained ” owing to a combination of unusual or faze personality traits and the unabashedly ambitious, taboo or hubristic nature of their experiments. As a motif in fiction, the brainsick scientist may be nefarious ( evil genius ) or antagonistic, benign or inert ; may be insane, character, or gawky ; and often works with fabricated technology or fails to recognise or value coarse human objections to attempting to play God. Some may have beneficent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists .

history [edit ]

Prototypes [edit ]

The archetypal fictional harebrained scientist was Victor Frankenstein, creator of his eponymous monster, [ 1 ] [ 2 ] [ 3 ] who made his foremost appearance in 1818, in the novel Frankenstein, or the Modern Prometheus by Mary Shelley. Though the novel ‘s championship character, Victor Frankenstein is a sympathetic quality, the critical element of conducting experiments that cross “ boundaries that ought not to be crossed ”, heedless of the consequences, is present in Shelley ‘s novel. Frankenstein was trained as both an alchemist and a modern scientist, which makes him the bridge between two eras of an evolving original. The book is said to be a harbinger of a raw writing style, skill fabrication, [ 4 ] [ 5 ] although as an example of gothic horror [ 6 ] [ 7 ] [ 8 ] [ 9 ] it is connected with other antecedents as well. The year 1896 saw the issue of H. G. Wells ‘s The Island of Doctor Moreau, in which the titular doctor—a controversial vivisectionist —has isolated himself wholly from culture in order to continue his experiments in surgically reshaping animals into android forms, heedless of the suffer he causes. [ 10 ] In 1925, the novelist Alexander Belyaev introduced huffy scientists to the russian people through the novel Professor Dowell’s Head, in which the antagonist performs experimental head transplants on bodies stolen from the morgue, and reanimates the corpses .

Cinema depictions [edit ]

Fritz Lang ‘s movie Metropolis ( 1927 ) brought the archetypal brainsick scientist to the screen in the form of Rotwang, the evil ace whose machines had in the first place given life to the dystopian city of the title. [ 11 ] Rotwang ‘s lab influenced many subsequent movie sets with its electrical arch, bubbling apparatus, and bizarrely complicated arrays of dials and controls. Portrayed by actor Rudolf Klein-Rogge, Rotwang himself is the prototypically conflicted huffy scientist ; though he is victor of about mysterious scientific office, he remains a slave to his own desires for power and retaliation. [ citation needed ] Rotwang ‘s appearance was besides influential—the quality ‘s electric shock of flighty haircloth, quixotic demeanor, and his quasi- fascist [ citation needed ] lab garb have all been adopted as shorthand for the harebrained scientist “ look. ” even his mechanical right hand has become a target of distorted scientific power, echoed notably in Stanley Kubrick ‘s film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb and in the novel The Three Stigmata of Palmer Eldritch ( 1965 ) by Philip K. Dick. [ citation needed ] A late survey of 1,000 horror films distributed in the UK between the 1930s and 1980s reveals brainsick scientists or their creations have been the villains of 30 percentage of the films ; scientific inquiry has produced 39 percentage of the threats ; and, by contrast, scientists have been the heroes of a bare 11 percentage. [ 12 ] Boris Karloff played brainsick scientists in several of his 1930s and 1940s films .

movie serials

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The Mad scientist was a staple of the Republic/Universal/Columbia movie serials of the 1930s and 40s. Examples include :

Post–World War II depictions [edit ]

harebrained scientists were most conspicuous in popular culture after World War II. The sadistic homo experiment conducted under the auspices of the Nazis, specially those of Josef Mengele, and the invention of the nuclear turkey, gave arise in this period to genuine fears that science and engineering had gone out of control. That the scientific and technological build-up during the Cold War brought about increasing threats of alone destruction of the human species did not lessen the impression. brainsick scientists frequently figure in science fiction and motion pictures from the time period. [ 13 ]

liveliness [edit ]

harebrained scientists in animation have included Professor Frink, Professor Farnsworth, Rick Sanchez, and Dr. Heinz Doofenshmirtz. Walt Disney Pictures had its pillar Mickey Mouse trying to save his dog Pluto from The Mad Doctor ( 1933 ). Depictions of Mad scientists in Warner Brothers ‘ Merrie Melodies / Looney Tunes cartoons include :

While both Tom and Jerry dabbled in harebrained science in a few of the Hanna-Barbera cartoons, an actual Mad scientist did not appear until Switchin’ Kitten ( 1961 ), directed by Gene Deitch .

See besides [edit ]

References [edit ]

bibliography [edit ]

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